I had of the loveliest couple of hours this afternoon, sharing a lingering patio coffee with a sweet friend... and then an even lovelier hour or so, meeting his young son for the first time and frolicking in the park.
My friend's son chased pigeons -- with great glee and little success -- and we all howled with laughter. Later, our talks turned to dragons and unicorns... the shapes of planes and helicopters... and the intricate beadwork of a kitschy Chinatown frog.
My favorite moment was one of the simplest. After the pigeon-chasing, as we walked toward the street, the boy took his father's hand. A moment later, beaming, he reached his other tiny hand toward me.
We walked for blocks like that, talking and laughing. Later this evening, walking home on my own, I remembered my friend's smile and his son's giddy laughter -- and felt such gratitude for this day.
Friday, August 10, 2007
Tuesday, July 31, 2007
"I Drew a Map of Canada, with Your Face Sketched on it Twice..."

I sit in full lotus on the grimy station floor, little white headphones in my ears... humming Joni Mitchell as I wait to board the London train.
I feel happy.

I am still leading a surreal life -- hovering between nations and suitcases (linen skirts and poetry). I feel content here, in this state of suspension -- more content to hover than to land.
But it seems I am landing -- gracefully, like a weightless dancer -- in the second land I've grown to love; Ariel has asked me to return to Toronto in October -- to love and live with him -- and I have agreed.

For several months now, I have been thinking about the nature of love -- feeling gratitude for my loves (past and present). I've grown so much with them, and in such unexpected ways -- just as I have also grown (in different but harmonious ways) in the spectrum of my solitude.

I'm agnostic, with no desire for illusions of god, fate, or destiny. I do not believe in "soul mates" -- cannot imagine that each person has only one partner they are somehow "meant" to find. I simply believe in the love, friendship, and trust that two people can mutually construct over months and years. I believe in passion -- and (atheistic) transcendence.

And I know of at least two men who feel like part of me -- who I love more deeply than my jagged tongue can say. Each man is so much of what I want (close friends... romantic lovers... intuitive artists... trusted companions...) and so much more than I had really hoped to find.

There is no right choice here -- and no wrong one.
The fallacy is in the choice itself: the insistence of monogamy, the dichotomy of "lover" and "friend," and the fear that imposes limits on ineffable love.

To the one I couldn't choose: I love you. I do. And I'm sorry...
Labels:
alchemy,
art,
collaboration,
creativity,
friendship,
history,
inspiration,
justice,
love,
marriage,
music,
painting,
performance art,
philosophy,
photography,
poetry,
revival,
travel,
writing
Sunday, July 29, 2007
9:48 PM: On a Bus Bound for Toronto
I am living up to my "postmodern vagabond" nature: flitting between Toronto and London (Ontario), a few days in each place, living out of suitcases and backpacks. Much to my delight, each time I travel I feel compelled to bring fewer items with me.

Years ago, I could not "travel light." I carried thick binders of creative notes: sketches for paintings... new stanzas of poetry... pages of in-progress theatre scripts... collages and mixed-media journal entries... and sentimental relics from people I'd met during my journeys.

And now: an electronic revolution!
A modest library of music CDs (and a series of French-language lessons) fits onto a player the size of a deck of cards. My photographs (and some raw video footage for a short film I'm brainstorming) fit on a tiny memory card in my camera; most of my other creative projects are on a laptop computer. With the exception of a bulging folder of random text (scrawled on coffee-splotched napkins and the thin white borders of newspapers), most of my creative life is now digital. As a result, the weight of my creativity is a mind-bending eight pounds...

Years ago, I could not "travel light." I carried thick binders of creative notes: sketches for paintings... new stanzas of poetry... pages of in-progress theatre scripts... collages and mixed-media journal entries... and sentimental relics from people I'd met during my journeys.

And now: an electronic revolution!
A modest library of music CDs (and a series of French-language lessons) fits onto a player the size of a deck of cards. My photographs (and some raw video footage for a short film I'm brainstorming) fit on a tiny memory card in my camera; most of my other creative projects are on a laptop computer. With the exception of a bulging folder of random text (scrawled on coffee-splotched napkins and the thin white borders of newspapers), most of my creative life is now digital. As a result, the weight of my creativity is a mind-bending eight pounds...
Labels:
aesthetic,
alchemy,
art,
creativity,
friendship,
history,
inspiration,
love,
philosophy,
photography,
poetry,
politics,
revival,
theatre,
travel,
writing
Saturday, July 21, 2007
Butterflies and Gnawing Locusts
After six months apart, we met on a park bench.
I sat in the sun, a flowing pink skirt brushing against my calves; he arrived with a guitar case slung over his shoulder.
We embraced.

And then -- what exactly?
It's so difficult to say...

We spent seven hours together.

He played a few songs...
We shared a picnic on the top of a hill in Riverdale Park (fresh multigrain bread, seasoned olives, Canadian brie, and smoked fish) while children tossed baseballs to each other on the fields below...
We trekked through the Don Valley, charting new paths...
We argued -- as we so often did.
But we stayed -- as we also often did -- and found points of connection: the words unsaid, and the real sense of words we'd each spoken.

I am learning to live with less certainty -- and more trust.
I sat in the sun, a flowing pink skirt brushing against my calves; he arrived with a guitar case slung over his shoulder.
We embraced.

And then -- what exactly?
It's so difficult to say...

We spent seven hours together.

He played a few songs...
We shared a picnic on the top of a hill in Riverdale Park (fresh multigrain bread, seasoned olives, Canadian brie, and smoked fish) while children tossed baseballs to each other on the fields below...
We trekked through the Don Valley, charting new paths...
We argued -- as we so often did.
But we stayed -- as we also often did -- and found points of connection: the words unsaid, and the real sense of words we'd each spoken.

I am learning to live with less certainty -- and more trust.
Labels:
alchemy,
children,
creativity,
culinary,
flowers,
Fragments,
history,
justice,
love,
nature,
pain,
performance art,
philosophy,
photography,
poetry,
revival,
stained glass,
Toronto,
writing
Thursday, July 19, 2007
Pigeon-feeding, Popular Culture, and Echoes of the Freemasons
I intended to take a ballet class tonight -- but as I was stuffing my workout clothes into my backpack, a friend called to invite me to dinner. With my calves already sore, and already feeling a bit hungry and rushed, I pulled the workout clothes out of my bag and hopped on the subway to meet him for Thai food.
Emerging at Yonge and Bloor, I found a strange woman with a shopping cart piled with buckets of birdseed. As she sprinkled seeds on the sidewalk, she cooed at the pigeons and began speaking to them -- affectionately, it seemed -- in a language I couldn't understand.

Then -- with bellies full of mango chicken and green curry, I walked with my friend to a building on Yonge just North of Bloor: the headquarters of MTV Canada.

It's quite an exceptional space -- a former Masonic Temple that has been converted to various small TV studios. My friend (who runs lights for a few of the MTV shows) gave me a tour, and I snapped a few photos -- with a strange degree of trepidation.


Despite its conversion to a pop culture mecca, the building retains many original details -- which lend the space an incongruous sobriety. I felt like an interloper...
To see abandoned fragments of the masons' rituals, out of their formal context, felt surreal -- and perhaps even disrespectful. What right do I have to photograph the relics of the freemasons -- and to document something I do not understand?

So I've decided to do a bit of reading about the masons... and to go back again in the next few weeks.
I hope that a deeper awareness of their rituals may let me capture something I felt I couldn't really see tonight.
Emerging at Yonge and Bloor, I found a strange woman with a shopping cart piled with buckets of birdseed. As she sprinkled seeds on the sidewalk, she cooed at the pigeons and began speaking to them -- affectionately, it seemed -- in a language I couldn't understand.

Then -- with bellies full of mango chicken and green curry, I walked with my friend to a building on Yonge just North of Bloor: the headquarters of MTV Canada.

It's quite an exceptional space -- a former Masonic Temple that has been converted to various small TV studios. My friend (who runs lights for a few of the MTV shows) gave me a tour, and I snapped a few photos -- with a strange degree of trepidation.


Despite its conversion to a pop culture mecca, the building retains many original details -- which lend the space an incongruous sobriety. I felt like an interloper...
To see abandoned fragments of the masons' rituals, out of their formal context, felt surreal -- and perhaps even disrespectful. What right do I have to photograph the relics of the freemasons -- and to document something I do not understand?

So I've decided to do a bit of reading about the masons... and to go back again in the next few weeks.
I hope that a deeper awareness of their rituals may let me capture something I felt I couldn't really see tonight.
Labels:
aesthetic,
alchemy,
creativity,
friendship,
history,
justice,
performance art,
philosophy,
photography,
politics,
revival,
Toronto
Wednesday, July 18, 2007
Poetry, Elliptical Orbits, and Heliocentric Lives
This was a truly lovely day.
I saw Ewan, after he'd been away from the city for a few days... and it felt so nice to take his hand and wander around the Annex streets. We stopped to sit and talk beneath trees, on campus benches, and in a small courtyard with a chessboard inlaid into the concrete tabletop...

He's delightful.

I want more of this: more poetry, more kindness... more afternoons with dark chocolate... more moments of connection, of slowly drawing each other back to the sun...
I saw Ewan, after he'd been away from the city for a few days... and it felt so nice to take his hand and wander around the Annex streets. We stopped to sit and talk beneath trees, on campus benches, and in a small courtyard with a chessboard inlaid into the concrete tabletop...

He's delightful.

I want more of this: more poetry, more kindness... more afternoons with dark chocolate... more moments of connection, of slowly drawing each other back to the sun...
Labels:
alchemy,
children,
creativity,
dance,
friendship,
human rights,
inspiration,
justice,
love,
marriage,
nature,
New York,
philosophy,
photography,
poetry,
revival,
Toronto,
travel
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